THEORETICAL FOUNDATIONS OF COMPOSITION AND COLOR HARMONY IN PAINTING

Bekmirova Dilafruz Chorievna

Authors

Bekmirova Dilafruz Chorievna Senior Lecturer of the “Drawing and Painting” Department National Institute of Painting and Design named after Kamoliddin Behzod

Keywords:

painting, composition, color harmony, color theory, color contrast, color wheel, visual perception, aesthetics, color psychology, perspective.

Abstract

This article is devoted to the study of the theoretical foundations of composition and color harmony in painting. It analyzes the interrelationship between color and composition in the formation of a work of visual art. During the research, the main principles of composition—such as balance, rhythm, contrast, and unity—are examined, and their harmonious interaction with color is discussed. In addition, the fundamental aspects of color theory, including the color wheel, color contrast, the psychological effects of colors, and their role in visual perception, are analyzed on a scientific basis.