THE ARTISTIC INTERPRETATION OF NAQSHBANDI TEACHINGS IN THE WORKS OF ALISHER NAVOI

Authors

  • Nurillayeva Munisa Bukhara Pedagogical Institute Master’s student of Uzbek Language and Literature

Keywords:

Sufism, Khojagan, Perfect Man, tariqa, suluk, Naqshbandiyya, lyrical heritage, spiritual path.

Abstract

This article analyzes the Sufi foundations of the creative legacy of the great thinker Alisher Navoi, with particular emphasis on its connection to the Naqshbandi order. From an academic perspective, the study examines the artistic expression of the principle “Dil ba yoru, dast ba kor” (“The heart with God, the hand at work”) in Navoi’s works, as well as the portrayal of spiritual masters of the order in such writings as “Nasoyim ul-muhabbat” and “Lison ut-tayr.”

 

 

References

Alisher Navoi. Nasoyim ul-muhabbat. Academy of Sciences Publishing House. 20-volume edition.

Ibrohim Haqqul. Navoi and Sufism. Tashkent, 1995.

Komilkhon Kattayev. The Naqshbandi Order and the Seven Saints. Samarkand, 2014.

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Published

2026-01-16

How to Cite

Nurillayeva Munisa. (2026). THE ARTISTIC INTERPRETATION OF NAQSHBANDI TEACHINGS IN THE WORKS OF ALISHER NAVOI. Ethiopian International Journal of Multidisciplinary Research, 13(1), 428–429. Retrieved from https://www.eijmr.org/index.php/eijmr/article/view/4651