LINGUISTIC AND NARRATIVE ARCHITECTURES OF PSYCHOLOGICAL THRILL: A SEMIOTIC ANALYSIS OF THOMAS HARRIS'S “THE SILENCE OF THE LAMBS”

Ollomurodov Arjunbek Orifjonovich

Authors

Ollomurodov Arjunbek Orifjonovich The English chair, The department of foreign language and social sciences Asia International University Bukhara, Uzbekistan

Keywords:

Psychological thriller, semiotic analysis, Thomas Harris, The Silence of the Lambs, linguistic architecture, narrative thrill, cognitive poetics, suspense.

Abstract

This article undertakes a semiotic analysis of Thomas Harris's The Silence of the Lambs, investigating the intricate linguistic and narrative architectures employed to construct and sustain psychological thrill. We contend that Harris meticulously crafts emotional tension, dread, and suspense not merely through plot events but through a sophisticated deployment of symbolic language, focalization strategies, and thematic interconnections that directly manipulate the reader's cognitive and affective states. Drawing upon theories from cognitive poetics, psychoanalytic literary criticism, and narrative semiotics, this study explores how specific linguistic choices (e.g., disturbing lexical items, fragmented syntax) and narrative techniques (e.g., shifting perspectives, unreliable narration, detailed sensory descriptions) function as symbolic encodings of fear, paranoia, and psychological vulnerability. Through detailed textual analysis of key excerpts, we delineate the mechanisms by which Harris compels reader identification, projects internal states of dread onto the narrative landscape, and cultivates a pervasive sense of unease. The insights presented illuminate the deliberate and systematic nature of psychological thrill in literary discourse, offering a refined understanding for literary scholars, genre writers, and those interested in the cognitive and aesthetic dimensions of suspense.

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